A Day Out With Elspeth in Lavenham

I’m reposting this with an update:

The car parking in Lavenham has balanced my other disappointments. They refused the council to make it enforced paid parking, and instead invite you to pay a suggested modest fee towards helping the village council. They say “No clamps, no fines”. Did we pay  of course! And lingered a while, and the village benefitted from our timed tariff free parking. Such as my buying the Tony Hepworth book from the tourist information centre. Lavenham feels magical, and having visited some more East Anglian villages, is still the best in my view. Just take cash before you go.

A Day Out With Elspeth in the Suffolk Wool Towns

I also updated Elspeth’s Quest for East Anglia’s prettiest village

I hope to do a day in Essex wool towns when I’ve seen a few more.

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A Day Out With Elspeth in Durham

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Welcome to Durham – World Heritage city!

I’ve already given this city a long Naughty Guide entry, but on revisiting, I would like to revise some of my comments.

Despite the coolness that some visitors have felt, a child’s response to Durham cathedral is that they wanted to hug it; even that they felt it was hugging them. That’s my maternal pillars at work.

I said that despite being a Friend of the cathedral they were not a friend to me – but I just had a vastly improved experience, not only of staff and volunteers, but the whole city.

My only two gripes are the £10 card minimum spend in the shop – not elsewhere in the cathedral – and that staff didn’t see that had I not had change they would have lost their precious sale.

The other was not unique to Durham and that’s that stewards were talking throughout services.

They still used that black line – to hold non worshippers back on Sunday mornings.

But I like that commerce comes after worship and you have to wait till 12.30 on Sundays for non religious activities. It would be useful for that to be clearer to visitors.

I didn’t mind paying to go round the exhibition, though it was a bit steep in price – £7.50 – as it was a voluntary way of giving the cathedral income without having to pay to enter the church. The cafe is simple but atmospheric and the shop opposite is large and I was happy to give both my support.

The Open Treasure exhibition involves two fantastic rooms – the huge monk’s dormitory and the octagonal kitchen. Volunteers were very friendly and there was no snobbery at all.

They even have an alternative youth service – Pulse – but alas I was unable to sample that.

Silver Street and the old Elvet Bridge

The castle tour was by a warm and knowledgeable young man (though one correction: St Andrews university is way older than Durham’s – it’s 15th C!) who cut all the stupid in college jokes that annoyed me before.

I had time to potter further in Durham. Often it’s been a day sandwich from Newcastle but this time I reversed that and spent the majority of my trip in the land of former prince bishops. Doing it that way round gave me a different perspective. I was again enchanted by the peace of the riverside walks which extend beyond the peninsula.

However, I was not enchanted by the greeting site of the huge holes to make retail centres and accommodation. The signs say they’re giving Durham its river back – but lumpy bog standard and too high developments is hardly doing so! It made me realise that the Gates shopping centre was actually quite thoughtful in scale and detailing. Durham size cities are charming because they don’t have malls and multiplexes. Not what a World Heritage Site needs.

I walked beyond the little peninsula this time more than before. It’s true that Saddler St is the star olde street in the island, leading into the bailey. Silver St has only one obvious ancient building. And there aren’t many others to mention – inside the river loop is hogged by those Norman institutions.

But over either of the ancient bridges, and interesting buildings continue. The Elvets don’t have many pubs or shops but they are pleasing architecturally. There is also Hallgarth street and Church St on this side – the one with the old country hall and St Oswald’s.

South St now has a little art gallery, but nothing else to see, but the peace and the view are worth the walk alone. Beyond and up more characteristic steep streets is Crossgate with a few pubs and Dark Matter comics cafe, which helped change my view of Durham. The streets are very colourful up here and are emulated close to where you descend from the station.

Claypath also has some older buildings and several places to eat and drink. It too is blighted by a large hole at present. It felt a little more North Easterly by night – ie boisterous.

My comments about limited nightlife remain, although these hulking developments are bringing in an overkill of these. Millennium Place now is surrounded by chain bars, making a theatrical visit potentially noisy. I share my thoughts on Durham cinema here:

Like many places, Durham no longer has a visitable tourist information centre, but you can obtain leaflets from the Gala theatre, the Town Hall (not weekends), the Indoor Market, World Heritage Site visitor centre (which is small) and Palace Green Library which incorporates some of the now closed Durham Light Infantry museum as well as archaeology. The latter two are happy to give general information.

So Durham, I have forgiven you and I am glad that I had time to linger this time. I came home with warm thoughts, and even felt some of the Celtic magic.

 

A Day Out With Elspeth in Newcastle

Perhaps I was not alone in expecting long outskirts of industry and terraced houses, a towering football stadium, and boisterous hard drinkers frequenting the above.

Yes – these are all there, but I was surprised to see that there really is a castle, town walls and a large medieval parish church – one of 4. I could have also viewed the timbered buildings on the quay and the classical golden sweep of the city’s most famous street.

Not only is the city more ancient than I expected, but I discovered its wide arts – from stuccoed balconies to reclaimed biscuit factories to the triple cupped silver bra of the Sage music centre, to even poetry recitals in a bastion. (Cinemas are reviewed here).

And so I became intrigued – and then fell in love.

After living there, I reiterate that my first paragraph is not a misconception. Drinking’s well underway by the time the shops close, meaning that its rowdiness is several hours ahead of other cities. Newcastle divides between day cafes and rammed drinking venues, particularly so when black and white shirts descend on the city. I thought their roar was the Roman army come back to defend Hadrian’s Wall again – but no, just a home match.

But here, I’m going to reimagine Newcastle and suggest that its most famous aspects – the bridges and the classical town planning – are at the expense of others and are in some ways detrimental.

Newcastle is unlike the other industrial cities, in that it was big and busy long before cranes and mills. It’s more akin to Bristol – although with a different atmosphere.

Old pictures show how bumpy Newcastle is. Planners from the 19th C tried to flatten those bumps and to make straight and flat roads for cars and rail. That has been done with the loss of many of the timbered buildings, allowing transport to dominate the hills.

Newcastle’s 7 bridges are interesting because they come in a clump. But they are not all interesting individually. I like the two which are at river level.

But commerce requires that bridges are high to allow not only ships in but to carry mechanised transport. Even though the two bridges with moving parts are the best.

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The Tyne Bridge is distinctive and shapely, but when you walk under it or even over it, you’re overwhelmed by the size of the supports and the roar of vehicles. Great warehouses in its legs rise up, eerie and unused, whilst High Level Bridge (above) has huge struts like warring Transformers that cut through Newcastle’s oldest buildings. The tails of these bridges end at the brow of a gradual hill, meaning that their span is much wider than the 500 feet of river, and that each bank has a looming overhead metal monster with twisting complicated roads.

Especially in Gateshead, these spoil the town and so there’s little there other than the Sage and Baltic, and then hotchpotch hotels and slip roads. St Mary’s church yard – Gateshead’s only old building – is clipped by the Tyne Bridge.

And Newcastle castle garth is hewn in two by the railway, one of two buildings I would have avoided running the tracks The Victorians instead managed to sever the Keep from its gatehouse, and the peg timbered tenement communities of Dog Leap Stairs.

The more recent motorways mean that you can’t go north or west of the centre without encountering a large fast concrete snake.

 

My other issue is the planning of the 1830s. Grainger is so celebrated that a whole section of the centre is named after him. He has his own street and market.

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But I’m not sure that this man is as worthy as Newcastle makes him. It’s unusual that a builder is famous, rather than who designed what he made. Apart from Dobson, we might not know the names of Grainger’s architects – the Green brothers, Walker, Wardle, and Oliver. We do know Grainger’s chum Clayton, town clerk and advisor, who also gets his own street, and is probably the reason that Grainger was able to do what he did to Newcastle and have his plan chosen, even over the architect he worked with.

Even the English Heritage book about his titular town concedes that Grainger was ruthless and not philanthropic; he courted the rich and those who became so; he was also reckless, in his speculative and radical scheme which threatened his financial stability.

I squirmed that a builder’s death meant tolling bells and shut shops, but it is incongruous that such a local hero should have his debts carried posthumously for 40 years. His wholesale buying and destroying – he knocked down the first theatre royal in 3 hours of acquiring it and the mansion Anderson Place – would not be possible under current new ownerships which made restoration of the area so difficult.

Let me be clear that I am glad of the 1990s restoration of the Granger Town project. Let me also say that despite not being bothered by repetitive and rule based classical architecture – I prefer Edinburgh’s Old Town to new and York to Bath – that I do really like Grainger’s streets. One especially which I’m going to suggest is in the wrong place. But the warm stone and the scale is irresistible. Especially the curve of the best street whose breadth anticipates the motor car that Grainger cannot have foreseen.

But he could have foreseen the railway. Central Station, also with great pleasing curvature, was built by one of his colleagues. By the time Grey Street was being planned, the railway era was dawning.

The Lort Burn had been in the way for some time, but that no-one had filled it in yet was fortuitous. Grainger, coming into the age of rail, could have used that ravine as an open train tunnel, naturally cutting through into the city, as at Brighton. If he had money and inclination to fill and flatten the Lort, could he not have widened and used what was there instead?

My way would mean that the railway cuts the city longitudinally rather than vertically. Although it’s nice for rail passengers to see Newcastle from the train up high, it’s not nice for people in Newcastle to have to look at all those viaducts which carve up both sides of the river like Scalextric loops and continue into Ouseburn and Byker.

It would mean that you cross the river at a lower level than the King Edward and High Level bridges. Although less dramatic, it is more aesthetic for the banks.

The bridges which work are those which aren’t that much higher than the water – eg Corbridge; Durham – or they spring from a sheer gorge, such as Bristol’s Clifton Suspension Bridge. These also don’t have houses underneath and don’t require an elevated lead up road on the land.

I wonder why no real road was made – and hasn’t been yet – down to the place that the Tyne has been forded since Roman times. Why didn’t Grainger – who cast off so much of his predecessor Stephenson’s work, who might have been just as famous – widen Dean St and the Side?

It took another century for a real river crossing from a road which also didn’t terminate properly. How did the pilgrims get up Pilgrim Street til the 1920s? The Great North Road (today’s A1) is ancient and so it’s all the more surprising that this had not been done earlier.

Why not a wider dual use bridge, such as at Sunderland, or a double decker but with more space (more like Tower Bridge) – rather than the crammed together decks of the High Level which make the bottom bunk cramped and something you’re only too glad to get over.

When I see older pictures of Newcastle – such as a c1600 vista – I sigh. I also wonder how Grainger’s town looked before it was sliced by trains, and if Grainger had lived a little later, if he could have protected his work from ravages as great as those a century later under T Dan Smith.

Note that both these men had equally radical visions for the city.

Newcastle wasn’t bombed, and yet it’s suffered at the hands of its own developers.

I’d keep Grey Street of course – I’d have made that where Pilgrim Street is, leading to the Tyne Bridge, but the road needs lowering to make the arch aesthetic and to match the sloping roads through it.

Tall ships didn’t need to come through for long – no bridge was enough for the Mauretania!

Most cargo stopped at Newcastle, not passed though, and then building moved towards the sea where there are no bridges – I wish the cantilever at Shields had been built.

So the higher level is unnecessary.

The Gateshead side needs to looks as good – for it’s one thing to view from it (such as inside the Sage) but another to be on the Newcastle side and see scruffy disjointedness. What Grainger did right was to make the centre of Newcastle joined up. I like that he made his plan a triangle – like Bristol’s Park St – but not at the expense of the interesting topography that had been preserved for so long.

I’d have less but better bridges and less rail track so that useless brownfield sites are not created, and the slicing of the city is minimised, and I’d have kept more timbered buildings and Anderson Place and its gardens.

Elspeth Town – the other Newcastle! If only I’d been born a century or two earlier…

A Day Out With Elspeth in Indestructible International Saffron Walden

Has anyone else realised that Saffron Walden fits the Captain Scarlet theme tune?

Those timbered plaster houses managed to survive all those centuries and the official website says that visitors come from Harwich on the ferry. I especially sought the latter, wondering if this town really is such a draw to the Dutch for a day trip.

I can see why people flying into nearby Stansted might call in to have a glimpse of real England – the East Anglian version of the quintessential olde market town.

I spent the first half of my day comparing it to another East of England town beginning with S – Stamford. Stamford is Saffron in stone: both around 15,000 people but large medieval towns which haven’t grown much; hence a wide spread of lovely old buildings.

This idea was born because I began my day in the part of Saffron Walden which is most photographed – walking from High street into Bridge street, and then turning off into Castle street. It’s the equivalent of Lavenham’s Water street – the coloured timbered houses which have become the pubic image of the town. But I decided that this wasn’t quite Lavenham’s big sister.

Yes it is the equivalent of Stamford – the big house in walking distance of the town, a stone near palace built by a family of courtiers 30 years apart; both have nothing particular to visit in the town itself, save its atmosphere and shops. At least Saffron Walden has retained its museum, but neither have much of their castles left. Both have old almshouses, and both coaching inn towns missed out on mainline railways.

Stamford is a town of churches; Saffron Walden has just one. Each town has prominent spires, but Saffron’s is grander than all Stamford’s six inside. I’d said Saffron Walden’s was a favourite of the region and of national importance if you like the big and late gothic style. But its spire is not as powerful as it might be, it’s the arcades (inner walls of pillars) which are the impressive part. I note it is built by the man behind Lavenham’s, as well as Cambridge’s best known churches; interestingly, that is all Walden has in common with its nearest city, except willing travellers between the two.

It may have no equivalent to Lavenham or Coggleshall’s National Trust properties in the centre, but Saffron has mazes – I only saw the turf ancient one. I hoped as a labyrinth that it would be a spiritual experience but I felt only nausea at its tight coils and wondered at the mud and nearby football game as being conducive to contemplation.

Perhaps Saffron is a town of the garden; Bridge End’s is the home to the other maze, and its name and its wealth come from flowers. But it’s mostly a town to browse and eat in; and even wandering is more restricted than I first thought.

The town is a darling of the glossy magazines, and that put me off. ‘Walden’s lovely’ squealed a posh shop owner in another town who indicated her desire to have a branch there, as well as her insider’s intimacy with it. I’ve not know what to call the town. I’m not surprised at its being abbreviated. King’s Lynn becoming Lynn seems OK but Walden felt an in crowd name. Why not use the first part – although like Lynn it had a different first name, the west country sounding Chipping, before the crocus industry set in.

I didn’t find Saffron (we’ll settle for Ab Fab character’s name) that posh. I thought it would be the sort of place that her mother would go for a day trip. I’d judged by the regional chains of boutiques which chose Saffron alongside Burnham Market and Bury St Edmunds. But I heard a variety of voices (no Dutch ones) including cockney market cries, and met several friendly people, including a very loquacious Irish lady in one of the ‘lovely’ shops.

Outstanding among these were at the tourist information centre. Suffolk – take note – these work! Bring them back! They were helpful in replying to a pre visit email query, and chatty in person. A regular came in to book tickets and volunteered how helpful they are and that they give newcomers a stash of leaflets to learn what there is to do here. TIC staff not only displayed a poster about my locally based novel and an event I’m doing, but offered to take some for Saffron Screen, the community cinema at the high school.

I was chuffed by that.

The said Screen (see it’s not Walden Widescreen) had already sold out for that night, so I was unable to try that independent cinema. I’m not sure what I feel about both Saffron’s cultural offering being in the grounds of a school. There appears to be no theatre.

Worse is if you don’t drive and want to go somewhere which does. Buses like in Lavenham, stop about 7pm, and thus you can neither escape or come home after that time. And not at all on Sundays. I wonder if the churches, including that of the prominent Quakers, are well attended, and if the not being able to leave town has anything to do with that.

Saffron Walden, as rail ticket staff sarcastically reminded me, now has no station of its own. The station you want is Audley End. And it’s not a badly served station, being the only part of Essex to have trains leaving the region (Birmingham to Stansted Airport) and also having trains from Cambridge to London. It’s not dead and lonely as I feared – it’s a baby grand station, and has a shop. But it’s two miles away by a country road in a hamlet called Wendens Ambo, off most town maps. And hence it’s not easy to work out how to walk into town. The way the bus went, there is a path along the road, but it’s not lit. The buses go a longer lorry friendly way round – the most direct road is more rural, and I wasn’t recommended to walk it. Buses are infrequent and the two companies don’t accept the tickets of the other. They are about £3 return each, but there’s a 15% difference in singles. Hence taxis must have a field day.

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Church St and the famous old Sun Inn

 

Saffron has a tighter shopping centre than I’d expected: its ‘rows’ are not like Chester’s and perhaps only King’s Street – home of traceried Cross Keys inn and Hart’s Books – is the olde thoroughfare which I had expected. Unlike Lavenham, its timbered buildings don’t continue much off the over-chosen photographic scenes. Towards the market – another iconic image – are Victorian taller buildings, and much of the town is brick. It began to feel more like Sudbury around Hill Street with the toilets by Waitrose which count down the seconds until the door opens – unisex cubicles right opposite the entrance. For all its salubrious reputation, it seems that the council don’t trust the people of Walden (said it now) with sinks and mirrors.

I’d gladly spend another day there – and go to the other maze and evening culture, and to see more of the villages of this under celebrated county.

 

 

A Day Out With Elspeth in Lowestoft

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It strikes me how Lowestoft, long familiar and accessible to me, has never been anywhere I’ve gone on my own accord – until yesterday. I knew of course of the sandy safe beach, the nearby town facilities which manage to avoid raucous excess of Great Yarmouth, and that it sort of has two piers – and lots of concentre to fight off the sea. I might add the Neptune statues, the loos that forbade changing in them (what is the issue with that!), the moving bridge.

There is little of Lowestoft which is instantly recognisable as such; no iconic buildings – the nearest to that is its most recent, the East Point Pavilion.

Perhaps lacking the tacky excess of Yarmouth has not benefitted Lowestoft, for the rambunctiousness of its neighbour is a draw. They have many points in common, but yet Yarmouth’s attributes seem better known – to me at least – and that is because of finding a leaflet. Suffolk’s tourist information reduction does nothing to assist visitors or locals finding the best of their towns. Lowestoft feels inbetween Yarmouth and Southwold in more than geography – having neither the outrageousness of one, nor the genteelness of the other.

It took until my last visit to discover that the Historic High street was not a farce but Georgian, flint and timbered houses with little alleys called scores between them; that it has an Edwardian theatre which also does films, and that there are 2 museums, both in parks, but neither right in the centre, and a lighthouse over sharply descending gardens (but no longer the Sparrow’s Nest theatre within them).

It took me some years after acquiring that knowledge to return to Lowestoft, and to make further discoveries: Lowestoft has a large parish church, but I’d not know that as it is nowhere near the old or new town; it is open only on Friday lunchtimes. Lowestoft’s 19th century architecture was planned by a very rich Christian to rival Brighton, they say, but that little of that ambition is evident today. It is that modern pavilion which has any hint to Brighton – and on a far smaller scale. In spirit, there is almost nothing akin between Sussex and its similar sounding easterly counterpart.

Lowestoft High Street

Yet the old High Street isn’t all it could be – it’s like Norwich, but St Augustine’s St, not Elm Hill. The town hall is boarded up, and there’s only a few shops or restaurants here. The one I recalled most is the long standing Sgt. Peppers 60s themed diner with Lucy in the Sky with Bacon and Octopus’ Garden dishes. There are a few international ones here and along the seafront in smart pavilions, but the middle of Lowestoft is quite drab and although compact it is focusless and not postcard worthy.

I wonder if Britten would be glad that the shopping arcade which leads to the wonderful bus station and library, now closing early due to anti social behaviour, is named for him?

I walked a lot – my back bears testament to that – and found Kirkley, with a different set of shops, near to Claremont Pier (ie the only proper pleasure pier, which you can’t even promenade on) and had a cheap meal in the gallery and former baths at The Coconut Lounge. I carried to Pakefield, a village about 2 miles south of the station, with a twin barrelled church on the beach, a rarely open arts centre, and the volunteer run Seagull Theatre – with some quite diverse, challenging programming.

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Here the gently shelving beach becomes all duney, but the promenade (or lack of) and the iron fences spoiled the view.

Mariner's ScoreLowestoft has several views spoiled – such as down all those Scores. They look romantic in the now defunct hand drawn leaflet. I show a picture of the supposedly most picturesque, Mariner’s Score, to show the reality of them. The steep slopes and stairs give way to spectacular views… of the Bird’s Eye factory and the railings around the large harbour and the big Telly Tubby turbine, Gulliver.

The concrete is also pretty harsh here – South Pier being an example. It is a pier in that it is an arm round the harbour, like someone covering their work on their desk; there is a viewing point, but you wonder if you’ll be told off for being there (you shouldn’t be) and that you’ve intruded into the fishing quarter. The newer blocks of rock are more aesthetic sea defences.

But as I stood on that concrete in almost magical light, with the quiet of waves and seagulls, I felt a real sense of pleasure and peace.

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A Day Out With Elspeth in Glastonbury

Since I last was in that area, I’ve been saying that my spirituality is more Glastonbury than Canterbury – or Walsingham. For me, Glastonbury isn’t representing the Pagan and New Age, but the place where Christian heritage and those broad earth faiths meet. I love that the tall towered parish church shares the same high street with the woo woo shops. My own metaphorical shop sells votive candles and crystals. Aren’t candles wide and inclusive?

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But would I still say that my spirituality is better represented here than the traditional and official established church and its own way of doing holy sites?

I wonder too about that other East Anglian equivalent to Glastonbury – the great lost abbey of Bury St Edmunds. It sits on the same leyline. So why have I not felt any presence yet? And did I in that Somerset market town?

Being told by a sign that you are now in the Isle of Avalon sounds romantic doesn’t it, even if the sign appears as you’re in the industrial area. I was grateful to disembark the long bus journey (there’s no trains for some miles) and went into the first shop I saw: “Chocolate Love Temple” – this must be a good start. It embodied all of Glastonbury’s character – a small independent selling vintage clothes, spiritual accoutrements, and chocolate. One piece of the latter a little larger than a 50p was £3, because of its containing a rare healing plant from India!

But I don’t think that means Glastonbury is full of overpriced charlatans. I got very angry at the English Heritage book on Glastonbury which was so rude and dismissive of the best known type of tourist and inhabitant here. I’m more keen to know why have these been excluded when it was through woo woo means that Glastonbury abbey was excavated?

I note that the latest book on Frederick Bligh Bond, the master of works who was sacked by the C of E when his method of discovery was discovered, is no longer in the abbey shop.

Not every shop in Glastonbury is a new agey one, though there are many which are – I can’t think of a another place like it. Every day really is a mind, body spirit fair here on the High Street. One area reminded me of Charles Manning’s amusements in Felixstowe, except with healing crystals and goddess images where Manning’s ice creams and crazy mirrors are.

I tried to find the Tor but instead learned what a greedy lot the abbey are/were. The abbey’s large tithe barn well outside today’s considerable precinct gathered the produce of others in a wide catchment. Today, you can only get in and out of the abbey by one small gate, presumably to ensure you pay your entrance fee. Staff seem to know little about the site, which is unusual for a museum where normally there’s competition to work lower than your skills and education because of the passion and knowledge you have. I asked about the exaggerated length of Bury St Edmunds abbey quoted by the museum’s abbey model.   (I didn’t imply “you are wrong” – more I am curious as to why 505 has become 570ft). They all said they didn’t know but perhaps someone working during the week (implying that people with knowledge didn’t of course work at weekends) might know if I emailed. The museum’s not big and if you know about abbeys, this gives little specific insight. And it doesn’t explain the interesting bit about how those hippies got here and what has made Glastonbury (and not Canterbury) remain a place of spiritual pilgrimage.

I hoped to escape towards the Tor from the far end of the ruins, as any other Close I know has 3 or 4 entrances. By Church House, the Anglican retreat centre, there was barbed wire; and round its entrance, vociferous Private signs.

Glastonbury abbey’s quick to tell you that they’re not funded or part of any group – hence quite a high entrance charge – but they still want you to ask their permission for any service or commercial photographs. I think if you’ve the privilege of caring for a much loved spiritual site, you cannot be that controlling about worship here. Their idea of “rescuing the ruins” is to put irritating modern chrome and viewing platforms in. You get little real idea of the church and its outbuildings if you don’t already know about abbeys.

The roads flanking the abbey other than the high street are mostly pretty ordinary architecturally, but it did amuse me that the names of businesses and guesthouses stuck on them definitely reflect the new age of Glastonbury.

The street towards the Chalice Well had some older cottages. This well is all for world peace – at a price, judging by their entry fees. The Tor itself is further than maps suggest, although I was very tired the day I visited. I’m not sure if there’s something special or ominous about the lady shaped ridge – is it the execution of the last abbot or the alleged hidden caves of the faerie king? I definitely believe the theories that it’s deliberately shaped for spiritual purposes. I am not happy with the National Trust owning it – a secular trust which supports modern scientific practices more than the Tor’s spiritual and often esoteric significance. And how can a holy Tor ever be someone’s property?!

I wondered: could I live here, or at least, stay longer? There’s much on offer if you want to be healed or train in esoteric ways, including some rather pricey guest houses and treatments which I thought clashed with the spirit in which they are supposed to be offered. Despite the famous festival, the rest of the year there doesn’t seem to be any arts to watch – the nearest cinemas are about 5 miles away in small towns, and only one, provincial, theatre. Bristol’s nearly 30 miles away – which is the nearest city, and Bath’s not even direct by bus.

I’d like to spend unfettered time here, but I think that the spirituality of Glastonbury is not quite where I am. Hippy not hipster, and often mature years rather than younger faces (except serving in the cafes), many I saw were in festival dress and the words used for their offerings felt as alien to me as if it were another culture, as often faith seems to those not in it.

I want something in the median – perhaps my idea of Celtic Christianity, the synthesis, which is open to all that Glastonbury offers, but finds a wiggly path without the extremes and immersive cultures of either users of incense. Or womb steamers.

But I find myself researching and thinking about how spirals – often in labyrinth form – are part of Glastonbury and in the title of my novel which came out on Mary Magdalene day – someone that Glastonbury likes as much as I do.

I sense I’m not yet done with Avalon.